Slayyyter premiered her live rendition of Turnstile’s “Birds” during an Atlanta show, marking the first time she performed the cover on stage.
The performance took place at The Eastern on Monday, September 21, as part of her ongoing “Wor$t Girl In The World” tour.
She placed the track at the close of her main set, following “Brittany Murphy,” before launching into an encore featuring “Brand New Chanel$” and “Beat Up Chanel$.”
This live debut follows her studio version, which appears on Turnstile’s “Never Enough: Versions” reissue released August 28.
The 22‑track collection features reinterpretations by artists such as Elton John, Hayley Williams, Blood Orange, A. G. Cook, Faye Webster, Four Tet, Oklou, Floating Points, Nourished By Time, Alex G, Julien Baker and Mustafa.
Additional contributions include Panda Bear’s take on “Magic Man” and a death‑metal version of “Birds” by Dying Fetus.
Watch footage of Slayyyter’s live version, as well as her studio rendition, here:
Her rendition shifts the original’s hardcore intensity toward an electronic, maximalist style that aligns with the aesthetic of her latest album, “Wor$t Girl In America.”
The original “Birds” appears on Turnstile’s 2025 album “Never Enough,” which earned the Grammy for Best Metal Performance in 2026 and also won Best Rock Album.
In a five‑star review, NME noted that “Birds” and “Sole” recall the band’s hardcore origins while praising the record for advancing its distinctive, pop‑infused hardcore approach.
Slayyyter will join Turnstile on stage next month, supporting them alongside Die Spitz at the University of Kansas in Lawrence on October 6, as part of the “Never Enough Tour Pt. 2.”
The Atlanta performance highlights a breakthrough year for Slayyyter. Her third album, “Wor$t Girl In America,” released in March, was lauded by NME for its blend of brash, sleazy pop and late‑2000s indie‑sleaze influences.
Earlier, she covered Hole’s “Violet” for triple J’s “Like A Version,” earning praise from Courtney Love, who called the rendition “a delight” and urged her to “keep wiping the floors with us.”
Shortly after, Slayyyter brought “Wor$t Girl In America” to Reading Festival, where NME’s live review described her as “undoubtedly a star before us on stage,” commending her rasped, rock‑heavy delivery and growing stage confidence.
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