Film London’s Production Finance Market (PFM) celebrated its 20th anniversary this year, cementing its role as a cornerstone for filmmakers and financiers. Over two decades, the market’s core mission—to fast‑track promising projects—has remained steady, yet its format continually evolves to meet industry shifts. From spotlighting emerging talent through the New Talent Strand to expanding its roster of international partners, organisers consistently inject fresh ideas into each edition.
A notable highlight of this year’s event was the launch of Upstream, Film London’s forward‑looking IP showcase dedicated to early‑stage projects with strong adaptation potential for film and television. The second day featured a curated series of presentations, accessible exclusively to PFM attendees and Upstream Live subscribers, offering a preview of several compelling initiatives. Below is a snapshot of the standout projects unveiled during the Upstream Live sessions.
Lighthouse Reports
Lighthouse Reports, an award‑winning investigative newsroom, presented a true‑crime narrative that reads like a thriller. The project delves into the intersect of big tech and covert surveillance, shedding light on a story of significant public interest.
Sanj Krishnan – “The Lying Scotsman”
Sanj Krishnan, a writer, actor, podcaster, and former barrister, pitched “The Lying Scotsman,” a darkly comic biopic about a historical snake‑oil salesman. The project resonates with contemporary tales of greed and deception, making it strikingly relevant today.
Pictoplasma
Pictoplasma, a Berlin‑based curatorial collective with a pulse on character design across animation, games, and design, showcased a selection of next‑gen creators. Their work promises rich material for future long‑form storytelling ventures.
Maya de Almeida Araújo – “Water Within”
Maya, a director and visual artist, introduced “Water Within,” an immersive screenplay inspired by a pioneering conservationist. The project has already attracted Oscar‑winning talent, underscoring its potential impact.
Hannah Davis – “Gone”
Hannah, part of the filmmaking team behind “Gone,” presented a biographical feature centered on the life of a celebrated violinist. The project is currently under option and in early development, with the team seeking to formalize a UK producing partnership and secure dedicated script‑development funding.
Sophie Cundale – “For Those Who Threaten Us With Hell”
Identified by the FLAMIN team for her exceptional talent, Sophie Cundale offered a project grounded in rigorous archival research. The work examines themes of sex work, activism, and state violence, delivering a powerful narrative exploration.
Annette Mencke
Annette’s background—once a champion athlete, now an international development banker—shapes an episodic project that unravels a web of politics, power, greed, and corruption beneath diplomatic immunity. Her unique perspective adds depth to the storytelling.
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