House of the Dragon
Credit: HBO
Sunday’s installment of House of the Dragon distinguishes itself by formally introducing one of the Seven Kingdoms’ most formidable power players: Lord Ormund Hightower, Lord of Oldtown and head of House Hightower. He emerges as a singular, mercurial figure poised to become one of the series’ most compelling antagonists—or a champion, depending on one’s allegiance to Team Green.
The Hightowers rank among the Reach’s most powerful houses, a region nominally governed by House Tyrell from Highgarden. Their seat, the ancient city of Oldtown, houses the Starry Sept and the Citadel of the Order of Maesters. Historically, the Hightowers have favored commerce and the Faith of the Seven over warfare, yet Otto Hightower proved their influence could be wielded to devastating political effect. Lord Ormund, however, operates on an entirely different scale.
Ormund has already outmaneuvered Daemon and Rhaenyra, dispatching a false Prince Daeron to King’s Landing while retaining the boy’s dragon, Tessarion—a shrewd move, given the difficulty of commandeering a dragon against its will. His entire strategy at Tumbleton hinges on Prince Aemond and Vhagar providing air support. In the interim, he has occupied the city so thoroughly that Rhaenyra cannot unleash her dragons without slaughtering thousands of innocents.
The episode disperses several revealing vignettes featuring Ormund. The first is literally disarming: he conducts a meeting while bathing, Geralt of Rivia-style, as two Tumbleton nobles protest his occupation of their ancestral home. Unfazed, he rises naked before them, declaring his men will remain disciplined provided the populace does the same.
That promise proves performative. Soldiers quartered in the home of Hugh Hammer’s wife, Kat, and her brother’s family quickly turn predatory. When a Hightower soldier attempts to rape Kat, a brawl erupts. The soldier is wounded, and the family appeals to Tumbleton’s lord and lady, who bring the matter before Ormund and Daeron. Ormund rules magnanimously in the residents’ favor, ordering the soldier gelded and his arm broken.
Yet his mercy is theater. Shortly after, Kat’s brother is arrested and dragged before Ormund and a bewildered Daeron. Ormund informs the youth that striking a Hightower soldier carries a death sentence. He commands Daeron to execute the boy, who begs for his life in vain. Horrified, Daeron drives Ormund’s Valyrian steel blade, Vigilance, through the prisoner’s heart.
Ormund then unveils his true ambition to the young prince. He intends to crown Daeron king, despite Aegon II and Aemond potentially still living. Mere preservation of Green power in the capital is insufficient; Ormund wants a monarch raised in the light of the Seven, steeped in Hightower traditions rather than Targaryen customs—with brown hair, not silver.
Ormund cuts a charming, calculating figure, yet his composure masks volatility. Already enraged by the Baratheons’ refusal to join the cause, he erupts upon learning that Aemond, Vhagar, Ser Criston Cole, and Lord Gwayne Hightower are nowhere to be found. As he reads the missive, Daeron urgently whispers to a serving boy: “Go. Go now!”
The lord’s tantrum is fierce but brief—a sudden crest of rage that breaks as quickly as it rises. He shouts and hacks at the table with his sword, leaving one to imagine the fate of an expendable page had one been within reach. Mercurial, quick to anger, yet predominantly composed and cunning, Ormund harbors a sensory sensitivity and a deep loathing for the Targaryen dynasty, which he views as alien invaders inferior in all respects save their dragons.
Meanwhile, Rhaenyra struggles to impose order on a fracturing King’s Landing. Lord Corlys Velaryon has departed in a huff, but his heir, Alyn, steps into the breach and quickly establishes a rapport with the Queen.
Ulf the White petitions Rhaenyra for favors on behalf of his tavern companions. She not only refuses but forbids him from frequenting such establishments. He reacts poorly, departing with a parting revelation: her detractors have been vandalizing the streets, branding her the “Queen of Bastards.” She dispatches the Gold Cloaks to hunt the perpetrators. Rhaenyra may desire to be the people’s queen, but the people are not unanimous in their devotion.
Elsewhere, Daemon stumbles upon Rhaena entirely by chance. He visits Lady Jeyne Arryn to demand her banners, only to be reminded that no dragons were sent to the Vale—Joffrey’s hatchling notwithstanding. He extracts a quantity of gold from the stern matriarch, but as the bags are loaded onto Caraxes, the dragon catches a scent and ignores his rider’s commands. For the first time, we witness an experienced dragonrider lose control of his mount.
Caraxes deposits Daemon on a rocky perch before a cave. A shadowy figure emerges, silhouetted by flame: Rhaena. Daemon is stunned. He pleads with her to abandon Sheepstealer, then to return with him to explain the situation to Rhaenyra. She refuses both. Daemon improvises.
He presents Rhaenyra with a charred, toothy head, claiming it belonged to Sheepstealer’s rider. The Queen is far from satisfied. Visibly distressed, she wanted answers—identity, motive, Green allegiance—not an unrecognizable corpse. Daemon’s deception does little to assuage her, though she appears to accept it.
Ultimately, this episode remains one of positioning and setup. While action remains scarce, nearly every scene lands with weight. A standout subplot follows Aegon II and Larys Strong, reduced to laboring in the muck alongside common folk. Aegon chafes against humility, patience, and silence, yet he is learning. Whether this crucible redeems him remains an open question—as does the fate of his dragon, Sunfyre, whom Aegon insists clings to life by a thread.
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