“What does couture mean to me?” asked designer Duran Lantink. He reflected on the opulence of Louis XIV and Marie Antoinette, seeking to blend those historic French court aesthetics with a bold futuristic vision. The debut couture collection for Jean Paul Gaultier unfolded not in a glossy lookbook but amid the sweltering heat of the house’s runway venue. As the audience fanned themselves furiously, the capacity to follow a coherent narrative seemed to dissolve, creating a befitting surreal backdrop for the designer’s unconventional spectacle.

Lantink belongs to a new generation wrestling with how to marry time‑tested Parisian couture techniques to cutting‑edge structures and technology. In this experimental realm, the body and traditional garments forsake conventional rules. Notably, he 3‑D scanned the torso of top model Leon Dame, crafting a radical, internally corseted, and laterally melted body carapace that redefined form.

Displaced corsetry emerged as a striking motif, with satin‑ or feather‑covered tubes spilling cascades of tulle front and back. Garments appeared to be assembled in deliberate disarray: a tailored jacket served as a hood, while a cropped top transformed into a halter. Lavish Versailles brocade enveloped silhouettes that evoked unexpected industrial forms, reminiscent of massive drain tubes.

These avant‑garde creations commanded significant attention, risk­ing to overshadow other pieces clearly rooted in Gaultier’s signature lexicon. Yet they were present: heartfelt tributes to the jean jacket, bomber, and argyle sweater, alongside a stunning millefeuille coat and dress, plus a delicate pink micro‑pleated dress. Gaultier’s clientele has always embraced daring fashion; the intrigue now lies in how far they’ll venture with their new creative prince.

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