Referencing Tyson draws attention that does not benefit Itauma. Tyson was a must‑see television personality even before his 1986 victory over Berbick, thanks to his relentless forward pressure, in‑ring presence, and relentless combinations that secured early finishes. In contrast, Itauma fights from a distance, preferring to wait for a single decisive strike rather than engaging in close‑range, power‑driven exchanges. When pressed, he tends to retreat, a style reminiscent of a larger version of Shakur Stevenson.
While this approach can be effective, it does not ensure that he will become a pay‑per‑view star. Spectators who followed Tyson knew they would witness aggressive, high‑impact action.
Itauma’s demeanor fails to compensate for his lack of excitement. He appears disengaged during interviews and projects low energy in promotional activities, giving an impression of dullness rather than the enthusiasm of a rising heavyweight champion.
Like Patterson, who captured a vacant heavyweight title by defeating Archie Moore after Marciano’s retirement, Itauma would not be pioneering a new title opportunity; he would merely be achieving it two months younger than Patterson.
The key contrast lies with Tyson, whose WBC title was won when he demolished Berbick. Itauma’s chance arrived after Usyk vacated the IBF belt and Frank Sanchez stepped aside.
A win would crown Itauma as IBF champion, yet the promotion leans on age comparisons to link two fighters whose appeal and title‑winning records are largely unrelated.
Queensberry delayed presenting Hrgovic as a genuine threat; a handful of fight‑week interviews cannot transform him into a marquee name. Daniel Dubois would have offered greater fan interest, greater punching power, and a compelling British rivalry.
Relying on age statistics to generate interest is misguided when the bout, undercard, and overall promotion have not created sufficient demand. Casual fans are unlikely to buy pay‑per‑view tickets to watch a contender surpass Patterson on a ranking list; their spending is directed toward fighters and rivalries they already follow.
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