As a Disney creator, Toni Kulasich shares meet‑and‑greet videos featuring a variety of Disneyland characters, although her favorite remains Peter Pan.
A beloved figure in the Disney parks, Peter Pan attracts a large online following because of his spontaneous, playful interactions and his bratty, sharp‑tongued demeanor. Kulasich, a 27‑year‑old Los Angeles native who visits Disneyland weekly using an annual pass, frequently posts videos of herself engaging with him — whether playing tag or wandering the park together.
Using her middle name for privacy, Kulasich never anticipated that her Peter Pan videos would become controversial until August 2, when a clip in which she presented him with a crocheted duck keychain went viral. As views surged from 10,000 to one million, criticism flooded in. One commenter suggested, “Slice that duck open and check for an AirTag,” while another quipped, “Imagine being known as the creep who follows Peter Pan.” Her TikTok audience more than doubled, rising from about 50,000 to 125,000 followers.
Kulasich was taken aback. While she is aware of the online disdain for “Disney adults” — people who devote excessive time to Disney media and parks — she does not view her fandom as unhealthy. She is married to a four‑year‑spouse and works full‑time as a manager at a large‑format retail store. She has no official affiliation with Disney and creates content purely as a hobby. “It’s not as if I think about Peter Pan at work or in my daily life,” she explains. “When I’m inside the park, I can embrace my inner child and the part of me that refuses to grow up, and that’s what Peter Pan represents.”
Unfortunately, online commentators did not limit their scrutiny to her recent videos. They uncovered decade‑old footage of her meeting Peter at the park, using it as “evidence” of obsession and even circulating a Change.org petition demanding her removal from the parks. Some dissected Peter Pan’s body language, claiming it indicated discomfort, while others examined her wedding video, expressing sympathy for her husband and accusing Kulasich of hidden affection for the character (her husband, a marine and casual Disney fan, prefers Cars‘ Lightning McQueen).
Worst of all, Kulasich says, someone discovered her workplace and posted the address online, prompting her manager to adjust her schedule for security reasons.
“It has taken a significant toll on my mental health,” she says. “Waking up to thousands of comments labeling me a ‘crazy stalker lady’ every day is overwhelming.”
By the end of last week, Kulasich had become an international phenomenon known as the “Peter Pan Girl,” a label she likens to the Netflix series Baby Reindeer, which explores a similar theme of online obsession. “People took a five‑second video of me with Peter Pan out of context and ran with it,” she remarks.
The fascination with “Peter Pan Girl” reflects several contemporary internet phenomena: the rapid spread of misinformation, the speculative nature of TikTok analysis and mass dogpiling, and the pervasive hostility toward “Disney adults.”
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