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    block at absolute beginning, then rewritten content. Must clean text: remove promotional lines, “SEE ALSO” links, footer junk. There’s no promotional lines or “SEE ALSO”. There’s a footer note about credit. Probably remove that. Also remove maybe any trailing tags? The provided HTML includes If you use any of the quotes … and an iframe. The instruction: “Clean the text content by removing promotional lines, “SEE ALSO” links, and footer junk.” The credit line might be considered footer junk, but it’s a note. It’s not a “SEE ALSO”. It’s a disclaimer. Probably remove it as footer junk. Also remove any unrelated promotional lines (none). So we keep main content: the headings, paragraphs, and the iframe. We must preserve all media elements exactly as they are (the iframe). Keep them inline. We need to rewrite headline: unique, fresh, professional. Original: “Kofi Says He’s Not Bitter About WWE Exit, Is ‘Super Thankful’ For His Time There”. We can rewrite: “Kofi Asserts No Bitterness Over WWE Departure, Expresses Deep Gratitude for His WWE tenure”. Something like that. Now rewrite body into natural, high-quality professional English. Need to rewrite the paragraphs while preserving meaning. Also need to keep headings? The headings are part of article; they are not media. They can stay but maybe we rewrite the heading text? The instruction: “Rewrite the headline to be unique, fresh, and professional.” That’s the main headline (the block). The surrounding news story body text should be rewritten. The headings are part of body; likely need to rewrite them too? It says “rewrite the surrounding news story body text”. The headings are part of body; but maybe keep them as is? Safer to rewrite them as part of body, but keep tags? The instruction: “Output ONLY the requested [TITLE] block at the absolute beginning, followed immediately by the rewritten content.” So we need to output a block with the rewritten headline, then the cleaned, rewritten article HTML body text. So we need to produce HTML body that includes the rewritten content. Should we keep the tags? Probably yes, because they are part of article structure. But we need to rewrite the text inside the paragraphs, not the headings? The headings are part of article; we can rewrite them too to be professional, but maybe keep as headings. The instruction: “Rewrite the headline to be unique, fresh, and professional.” That’s the main title. For the body, “Rewrite the surrounding news story body text into natural, high-quality, professional English.” So we need to rewrite the paragraph texts (the contents) while preserving meaning, and keep the headings maybe unchanged? They are headings, not body text; but they are part of the story. I’d rewrite the headings as well to be more professional? Not required but could be okay. However must not alter any HTML media elements; the tags are not media, but they are structural. Changing them might be considered altering content; but it’s allowed as part of rewriting body text. Probably safe to keep headings as they are, but rewrite the paragraph text. Let’s rewrite paragraphs: Paragraph 1: “Kofi says he doesn’t have bitterness over his and Austin Creed’s WWE exits and is “super thankful” for his time there. As you surely know, the former New Day members left WWE in May and are now in AEW as the New Level, making their debuts at AEW All In.” We can rewrite: “Kofi emphasizes that he feels no bitterness regarding his and Austin Creed’s departure from WWE, and he remains profoundly grateful for his tenure there. The former New Day members departed WWE in May and have since joined AEW, debuting as The New Level at AEW All In.” Paragraph 2: “The two have been making the media rounds following their AEW debuts, and they spoke with The Ariel Helwani Show for a new interview. During the conversation, the two were discussing their exits and Kofi took a minute to make clear that there is no bitterness toward WWE. He spoke fondly of his time there and said the first thing he did was reach out to people in the company to express his gratitude. You can see the highlights below:” Rewrite: “Following their AEW debuts, the pair has been appearing on various media outlets, including an interview with The Ariel Helwani Show. In the discussion about their exits, Kofi reiterated that there is no lingering resentment toward WWE. He spoke positively about his experience and noted that his first action was to contact several WWE colleagues to convey his appreciation. The highlights are shown below:” Paragraph under “On Not Being Bitter About Their Exit:”: Original: “So, I think like sometimes when people do these interviews, there’s all this angst and bitterness and like, ‘Oh, these guys. Oh, you can’t stand–‘ And I don’t want to come across as that… I just want to say like I’m super grateful for the time that we had there, you know what I mean? Like living out my childhood dream, it would have never been possible if it wasn’t for WWE. We had so many great moments as a team, myself individually, before New Day. Like, it’s been a dream job.” Rewrite: “I understand that interviewers sometimes anticipate anger or bitterness, but I want to assure you that I’m genuinely grateful for the time we spent with WWE. Realizing my childhood dream would have been impossible without the company. We shared countless memorable moments both as a team and individually before the formation of New Day, and it truly felt like a dream job.” Paragraph 2 under same heading: “So, one of the first things like I did, I reached out and I said ‘Thank you’ to a lot of different people once the information started to really come out. Because I’m super grateful for it. I think everything happens for a reason. And like Austin said before about doors closing and opening, my mom also says the same thing. She said, ‘When one door closes, seven doors open. And the opportunities have been amazing, and the universe was just telling us that it was time. It was time to move on to bigger and better. It was time to level up, to move to the next level.”” Rewrite: “One of the first things I did was reach out to many people to say thank you as the news became clear. I’m deeply appreciative, and I believe everything happens for a reason. As Austin mentioned, doors close and open; my mother often says, “When one door closes, seven doors open.” The opportunities have been extraordinary, and the universe signaled it was time to move forward, to pursue bigger and better possibilities, to level up and advance to the next stage.” Paragraph under “On Being Grateful For His WWE Time:”: Original: ““I don’t want to set the tone that like, ‘Oh, we’re so mad and angry and pissed.’ It is what it is, you know? Like, it happened and then we move on. We can’t dwell in the past. I would never allow anything to have that kind of power over my emotional psyche, that I’m brooding and thinking about the bad times when 99% of the time there was great. The house that I live in right now, my kids are, you know what I mean? The life that we live is really — we wouldn’t have been able to do that without WWE. A lot of it is because of that. So super thankful for that part of our career.” Rewrite: “I don’t want to convey that we’re angry or upset. It happened, and we’ve moved on; we cannot remain stuck in the past. I refuse to let any resentment dominate my emotions, especially since the overwhelming majority of my experience was positive. My current home, my children, and the life we enjoy are directly a result of my time in WWE. I’m immensely grateful for that chapter of our careers.” Paragraph 2: “But again – very, very, very, very excited for the future. Because we get to continue this wild ride. How many people can say that they can do this for this long on such a grand stage? So we’re blessed to be in this position. We’re blessed to have these problems; we’re blessed to have people care that we lost our jobs. There’s people that lose their jobs every day. There’s people that were really upset that we were out of work, and they wanted to see us back in work. And now here we are, we get to give them what they want. So yeah, man. It’s all good, it’s all love, it’s all gravy. And we’re happy to embark on the next chapter.” Rewrite: “I’m extremely enthusiastic about what lies ahead. We have the chance to keep enjoying this extraordinary journey. How many can claim to have sustained a career on such a grand stage for so long? We feel blessed to be in this position, blessed to have the opportunities we have, and to know that many people care about our return to work. Others face job loss daily, and they hoped to see us back. Now we have the chance to deliver what they desire, and we’re happy to move forward together.” Now we need to include the iframe element unchanged. We also need to remove the footer note (the italic credit). Also maybe remove any extra whitespace or trailing tags. Ensure the cleaned HTML body only contains the relevant parts. We need to output: [TITLE]Rewritten headline

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    Netflix Unveils First Teaser for Los Javis’ Cannes-Awarded Epic ‘La Bola Negra’

    Business
    Netflix Unveils First Teaser for Los Javis’ Cannes-Awarded Epic ‘La Bola Negra’

    The debut teaser trailer for the Spanish-directed Cannes favorite La Bola Negra has been released, offering an early glimpse of the sweeping drama that earned Javier Calvo and Javier Ambrossi the Best Director prize at the Cannes Film Festival in May.

    Spanning nearly a century of Spanish history, the film follows three generations of men linked by desire, pain and love, featuring an international cast that includes Guitarricadelafuente, Miguel Bernardeau, Penélope Cruz and Glenn Close.

    Set to Vera Lynn’s “We’ll Meet Again,” the teaser moves through three moments in time: a small‑town casino, the height of the Spanish Civil War, and the present day. At its core, the directors ask what people choose to do with their past, their inheritance, and the art, objects and traces that history leaves behind.

    What the Story Is About

    La Bola Negra weaves together three men across pivotal years in Spanish history: 1932, 1937 and 2017. Carlos (Milo Quifes) longs to belong in a fractured country. Sebastián (Guitarricadelafuente) finds connection across enemy lines. And Alberto (Carlos González) uncovers a long‑buried family secret that gives voice to truths the past tried to erase.

    “When we began writing La Bola Negra, we wanted to tell a story about freedom, legacy and the importance of LGBTQ+ visibility,” say Calvo and Ambrossi. “Above all, we wanted to honor the generations of people whose courage and sacrifice made our freedoms possible today.”

    The film takes its name from an unfinished play by Federico García Lorca, the Spanish poet and playwright assassinated in 1936, and examines his legacy through a modern lens.

    Directors Calvo and Ambrossi, known as “Los Javis,” co‑wrote the screenplay with Alberto Conejero, drawing from Conejero’s play La piedra oscura, La bola negra and other Lorca texts.

    An International Ensemble

    To lead the cast, the directors chose Guitarricadelafuente, a Spanish singer‑songwriter whose work and performances they had long admired. He makes his acting debut here. They also assembled a wealth of internationally renowned actors.

    The full ensemble includes:

    • Guitarricadelafuente (Spanish Leather) as Sebastián
    • Miguel Bernardeau (Zorro, Elite) as Rafael Rodríguez Rapún
    • Carlos González (Amar es para siempre, Veneno) as Alberto
    • Milo Quifes as Carlos
    • Lola Dueñas (La Mesías, The Sea Inside) as Teresa
    • Julio Torres (Problemista, Los Espookys) as Juan Pablo
    • Penélope Cruz (Vicky Cristina Barcelona, The Invite) as Nené Romero
    • Glenn Close (The Deliverance, Wake Up Dead Man: A Knives Out Mystery) as Isabelle

    The film also features an original song, “La Nieve,” performed and written by Guitarricadelafuente, with a score by Raül Refree.

    From Cannes to a Global Release

    After emerging as a critical favorite on the Croisette, La Bola Negra earned praise for its storytelling and its exploration of memory, love and queer identity. The film continues its festival run at Telluride and will have its Canadian premiere at the Toronto International Film Festival’s Special Presentations section on September 15, where Penélope Cruz will receive a Special Tribute Award at the TIFF Tribute Awards.

    Netflix secured the U.S. rights after a competitive bidding war and also acquired the film for Canada.

    La Bola Negra is a Movistar Plus+ Original Film produced in collaboration with Suma Content Films, by Telefónica Audiovisual Digital and Los Esquiadores AIE, and co‑produced by El Deseo and Le Pacte, with participation from Atresmedia and CREA SGR.

    The film opens in U.S. theaters on October 16, 2026, and arrives on Netflix on December 2.

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