![A Decade After Brexit: Sovereignty and Trade in a Post-EU Britain]](https://i3.wp.com/s.rfi.fr/media/display/78d8c4ba-6bda-11f1-afce-005056bfb2b6/w:1280/p:16x9/000-1KE08K.jpg?w=1024&resize=1024,1024&ssl=1 "A Decade After Brexit: Sovereignty and Trade in a Post-EU Britain]")
Entering Batsheva Hay’s boutique on the border of the Lower East Side and NoLIta feels like stepping into a window of her imagination. The patterned floors and lime‑green curtained walls mirror the warm, eclectic spirit that defines both the designer and her creations. This welcoming atmosphere nurtures a close connection with her clientele. “What I’m creating is a rolling reflection of what people want,” she explains. About half of this season’s resort collection is available for immediate purchase, with plans to add more pieces based on the silhouettes that resonate most, whether they are bought by a Brooklyn performance artist or a woman from Hay’s synagogue. “Am I personally wearing a sheer dress with just a bra and panties?” Hay asked, pointing to a mint‑green lace babydoll that sat beside her popular puff‑sleeved lace crop top. “No, but I also know my customer base has broadened, and I think that’s remarkable.”
Using a hybrid model also allows Hay to experiment with vintage and deadstock fabrics, such as a cocooned floral dress accented by black velvet trim and an upholstered belt. This season introduces a range of taffeta dresses—a material that once had a poor reputation in the ’80s but is now firmly back in vogue. “It’s durable, retains its shape, and feels luxurious,” she notes. A bright pink style featuring a detachable apron with pearl buttons at the waistline stood out as a highlight. Overall, the collection remains a work in progress. “It’s like an active organism,” she says. “It’s refreshing to operate on both fronts.”
