Kevin Germanier transforms discarded items into vibrant, joyful creations, exemplifying ultra‑glamorous upcycling. His voluminous feathered skirts and sequined embroideries suggest that he is one of the most environmentally conscious designers on the haute couture calendar, alongside Ronald van der Kemp, both of whom utilize deadstock materials. Speaking at the Palais de Tokyo, Germanier noted that his collection benefits from an agreement with LVMH to incorporate its overstock, stating, “We have nine houses supporting this collection. It’s not the fabric, it’s unsold product.”
His fourth haute couture show continued the exuberant, performer‑inspired energy that has defined his brand since graduating from Central Saint Martins in 2018. “It is designed for a confident, sexy yet tasteful woman or man. This season, I call it Les Sulfureuses—a sulfuric explosion. The process begins with a bubbling foundation, culminating in a bright, optimistic explosion reminiscent of fireworks.”
The collection featured oversized pom‑pom skirts crafted from flower‑arranging material, dyed to resemble feathers, and clip‑on bugle‑beaded bras constructed from surplus ear defenders, with breastplates adorned with neon pink or yellow spikes made from the tips of Caran d’Ache pencils. The Swiss art‑supply manufacturer Caran d’Ache, renowned for its high‑quality crayons, has partnered with this celebrated French designer for several years.
Germanier notes a heightened confidence this season: “We now have greater confidence, striking a balance between creativity and playfulness. A client like the woman you see in the venue will appreciate it as well.”
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