Pulp give ‘Deep Fried in Kelvin’ live live debut and play other deep cuts and rarities for first time in 20-30+ years at last gig “for a while” at End Of The Road 2026

Pulp at End Of The Road festival played:

Pulse greeted attendees at the End Of The Road festival with a selection of deep cuts and rare material, during which lead singer Jarvis Cocker announced that this appearance would serve as a temporary conclusion to the tour.

The Britpop legends brought their final headline to the festival’s mainstage last night (September 5), marking the end of their 2026 circuit.

To celebrate, the band delivered a setlist heavy on rarities and surprise appearances, including the very first official performance of “Deep Fried in Kelvin” from their seminal 1995 album ‘Different Class’.

Throughout the show, the group revisited classic hits, performing “Little Girl (With Blue Eyes)” for the first time since 2012, “Forever in My Dreams” since 2000, and bringing back “The Mark of the Devil” and “Death II” after decades. They also returned to “We Are the Boyz,” which had not been performed publicly since 1998.

Cocker later shared a message via Instagram stating that while this show was intended as a short-term farewell, the sentiment was far from permanent. He clarified that their creative drive remains alive: “Maybe [an album], we tried to not settle for an idea of this being our last gas. I used to think that much—but I did not feel that with this record.”

He also entertained fans with a performance of “Happy Birthday,” celebrating the 20-year milestone of End Of The Road, which was accompanied by a slideshow of the band’s history displayed behind them.

“I had this strange notion that once an album was finished, I could simply die knowing it was good. That was a dangerous mindset, and I have always stroved to avoid it,” Cocker remarked on his approach to the production phase of recent works.

Pulp at End Of The Road festival played:

‘I Spy’
‘Little Girl (With Blue Eyes)’ (First performance since 2012)
‘The Mark of the Devil’ (First performance since 1992)
‘Background Noise’
‘Tina’
‘Forever in My Dreams’ (First performance since 2000)
‘Deep Fried in Kelvin’ (Live debut)
‘Death II’ (First performance since 1992)
‘O.U. (Gone, Gone)’
‘Babies’
‘Razzmatazz’
‘Lipgloss’
‘Happy Birthday to You’
‘Do You Remember the First Time?’
‘Spike Island’
‘Got to Have Love’
‘Underwear
‘Common People’
‘This Is Hardcore’
‘We Are the Boyz’ (First public performance since 1998)
‘Something Changed’
‘Sunrise’

Cocker had teased in November that Pulp “might write some more songs” together. The development followed whispers from bandmates Nick Banks and Candida Doyle to NME that they lacked momentum for a new major project; Doyle added, “An EP, perhaps, or a single.”

When NME enquired last summer whether fans could expect a successor to their last album More, Cocker replied, “Maybe. We deliberately avoided imposing a concept or believing this was the final chapter. I used to struggle with the idea that mixing was complete means my life was done—so I truly didn’t.”

“I carried the fear that finishing an album allowed my existence to end. With this record, I realized that was a limiting thought process.”

In related news, Pulp are launching a concert film titled What Do You Do For An Encore?, premiering theatrically across North America and Europe, followed by streaming rollout in September.

The band has already detailed plans for the live album capturing their two sold‑out performances at London’s O2, building on celebratory sets such as Mad Cool 2026 and a special orchestral tribute to 50 years of Rough Trade at the Royal Festival Hall.

Earlier this summer, Pulp headlined a major set in Manchester to close that season, breaking down “Common People” as fans celebrated the World Cup victory, and subsequently delivered a bespoke performance for the Rough Trade anniversary at The Royal Festival Hall. Recent releases include the “War Child” charity contribution “Begging For Change” and a fresh digital EP featuring “Marrying For Love” and “Cold Call On The Hotline”.

Source link