Icons of the She-Punk movement are gathering for Up Yours! God Save the Queens!, a London festival marking five decades of women in punk with art, photography, fashion, and archival displays. On Friday, October 16, a supergroup featuring members of X‑Ray Spex, the Raincoats, and the Slits will perform at Electric Brixton.
For a single night, Gina Birch of the Raincoats and Hollie Cook of the Slits will team up with X‑Ray Spex’s Lora Logic and Paul Dean, punk historian Vivien Goldman, and Celeste Bell—daughter of Poly Styrene—alongside performers such as Akiko Matsuura, Rhoda Dakar, and Hot Wax.
“When I wrote *Revenge of the She-Punks*, I aimed to trace the global lineage of women who used music to break stereotypes and claim their own space,” Goldman said in a statement. “This festival—and the Electric Brixton show we’re assembling—brings that book to life on stage. It represents a vital, living continuation of that rebel spirit, showing that the female voice in punk is not an afterthought but a driving, evolving force.”
Big Joanie and Essential Logic are also set to play the October event, which leads up to the flagship exhibition opening at the Museum of Youth Culture in Camden on October 23. Aside from the performances, Up Yours! God Save the Queens! seeks to highlight the frequently overlooked contributions of women to punk through meticulous documentation and curation, with the exhibition showcasing previously unseen images.
“Curating my mother’s archive showed me how vital it is to safeguard female counter‑cultural history,” Bell said in a statement. “Through the Up Yours! Collective, we’re bringing that legacy out of the archives and onto centre stage. Realising this vision through the exhibition and sharing the stage with iconic she‑punks feels like an extraordinary full‑circle moment.”
<img class="c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto" src="https://www.rollingstone.com/wp-content/themes/vip/pmc-rollingstone-2022/assets/public/lazyload-fallback.gif" data-lazy-src="https://www.rollingstone.com/wp-content/uploads/2026/09/1.-God-save-the-queens_GayeBlack_ChrisEddyOriginal45.jpg?w=1024" alt="" data-lazy-srcset="" data-lazy-sizes="" height="1024" width="1024" decoding="async"/> <span class="u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s">God Save the Queens</span>
© Gaye Black, Chris Eddy
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Lora Logic added, “Contributing previously unseen artwork to the exhibition while taking the stage to play these iconic songs again feels like completing a full circle—and it’s incredibly special. For me, the creative expression of the movement has always been multidimensional, blending visual art, fashion, and sound.”
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