Carl Jung held the I Ching, also known as the Book of Changes, in high regard. His friendship with Richard Wilhelm, whose German translation became one of the most influential Western interpretations of this ancient Chinese text in the twentieth century, further deepened his interest in the classic.

However, some argue that Jung failed to fully grasp what makes the I Ching compelling. A key concern is his assertion that the “Chinese spirit” of the text remains impenetrable to Western understanding. In the foreword to an English translation of Wilhelm’s work, Jung wrote, “I can assure my reader that it is not altogether easy to find the right access to this monument of Chinese thought, which departs so completely from our ways of thinking.”

Contrary to this view, many find the I Ching surprisingly accessible. Its mysterious quality has long fascinated Western thinkers. Notable figures including poet Allen Ginsberg, musician Joni Mitchell, composer John Cage, and choreographer Merce Cunningham have all praised its wisdom and poetic insight, according to scholar Brian Bruya, who recently translated the engaging Illustrated Book of Changes by cartoonist and Shaolin monk C.C. Tsai.

While “Yi Jing” represents the contemporary standard transcription, “I Ching” remains the more familiar term for most readers. Bruya’s translation is now available in a premium edition from Princeton University Press.

In 1964, Merce Cunningham lifts Carolyn Brown during rehearsal at Sadler’s Wells Theatre in London. Cunningham is said to have lauded the wisdom and poetic suggestiveness of the I Ching, which explains change as the interaction of two cosmic principles: yin and yang, feminine and masculine. Photo: AP

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