Cinema Country Debue with Seth Christian’s Feature «Made Clean», Starring Penelope Ann Miller and Otamaro Marrero

Filmmaker Seth Christian, whose previous producing credits include the 2020 crime drama *Echo Boomers* starring Patrick Schwarzenegger and Michael Shannon, has launched Cinema Country.

The Nashville‑based independent production company is dedicated to human‑centered storytelling and socially impactful filmmaking under its Films For Impact label.

Cinema Country’s inaugural feature slate explores addiction, obesity, and the societal impacts of social media.

“Cinema Country is committed to making ‘Films For Impact’ — movies that entertain, spark meaningful conversation, and enrich culture and humanity,” said Christian. “We do not chase trends or simply follow popular cycles. Instead, we seek unique, fresh narratives that resonate with audiences, illuminate weighty issues, and serve as voices for healing.”

The first project in development on the studio’s slate is *Made Clean*, a faith‑inspired drama already in post‑production that follows a mother struggling with addiction while attempting to raise her teenage daughter and confront generational trauma.

Directed by D. Erik Parks (*Why We Breathe*) and co‑written by Christian and Parks, the film stars Penelope Ann Miller (*Calio ’s Way*), Otamaro Marrero (*Start Up*), Glenn Morshower (*Transformers: Dark of the Moon*), Ava Torres (*Chicago Fire*), Jacob Alexander (*Echo Boomers*), and Cherrie McRae (*Deadly Deception*).

The synopsis reads: “Tonya (Marrero), a hardworking single mother, loses her job after failing a drug test, prompting her teenage daughter, Kimberly (Torres), to run away. Desperate to improve, Tonya seeks help from her estranged mother, Wanda (Miller), who offers little empathy and instead accuses her of repeating the harmful patterns that defined her own childhood.”

“Horrified by the comparison, Tonya finds employment with another cleaning service and begins rebuilding her life with assistance from its compassionate owner. However, a traumatic incident sends Tonya spiraling back into addiction—and back into the volatile environment of her former drug‑dealing spouse, Ronny (Alexander). Her fragile progress then begins to crumble. As well, Kimberly’s concealed battle lands her in the hospital, forcing mother and daughter to face the buried pain they have both hidden.”

Additional projects on the roster include *Hungary*, an upcoming feature challenging views on obesity and the damage caused by America’s food system, and *Extension*, which investigates the dangers of social media and its connection to many teen suicide cases.

“Enduring experiences that change your life compel you to prioritize what truly matters,” said Christian, whose own recovery from a stroke occurred two years prior. “That setback fundamentally altered my perspective on filmmaking. I envisioned creating cinema that reflected the stories I desired to see and the industry I wanted to belong to. Cinema Country emerged directly from that insight.”

Achieving a $1‑2 million budget, Christian assembled an equity partnership network comprising a 50‑person production team, equipment rental firms, campside operators, restaurants and other contributors. Partners receive a share of the film’s future revenues in exchange for their involvement, enabling Cinema Country to allocate a larger portion of its spending toward talent while fostering a robust stakeholder community.

“This framework expresses my broader vision for Cinema Country: a more collaborative method to independent filmmaking in which filmmakers, businesses, service providers and community partners can all hold a significant stake in the projects they help bring to life,” noted Christian.

Source link